back as 1912, when the statement was made, 'such a premise was already. Musical development, the relation of phrase to phraseĪs far intelligible and the order of occurrence more symmetrical. of It had long been considered, as Sir Hubert Parry argued, that as music-making It With Panoffs work as source material, the Harvard Dictionary of Music, some to the metric structures of Bulgaria's closestīulgarian folk music as "mostly dance-like, though irregular meters are frequent" This quotation alone contains two inaccuracies: dance songs cannot be said on statistical analysis to constitute the major portion of the music and, moreover, most of the typically Bulgarian dance songs are actuallyĬannot be mentioned too often that this lack of symmetry in the construction meter and rhythm especially distinguishes Bulgarian folk music from any other. But it is exactly here that the difficulty lies: his training in the music theory of western Europe made no allowance for the asymmetric structures which he encountered structures which cannot be accurately reproduced under standard metric signatures and the present method of music notation. He had access to authentic sources he listened to actual Bulgarian folk songs and notated them for future study. Panoffs musical erudition is beyond question. These irregular meters are unique within the Slavic family and Musikwissenschaft, makes no mention whatever of the metric patterns of Bulgarian folk music which differentiate it sharply from the music of other European nations. Peter Panoff, in his otherwise scholarly study, "Die Alt. The responsibility of being the first to acquaint the reader of English with Bulgarian folk music is a heavy one, especially since the non-Bulgarian sources have in part proved to be based on misconceptions of the fundamental characteristics of the folk music under examination. I feel that in the present study some preparation of the reader is essential, since there have been very few works on the subject written in languages other than Bulgarian and, to my knowledge, none in in PREFACE is, in a much more real sense, a conclusion like the overture music drama, it is written after the work has been completed, and properly contains a clue to the material which follows. THE REGENTS OF THE UNIVERSITY OF CALIFORNIA PRINTED IN THE UNITED STATES OF AMERICA DESIGNED BY JOHN
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to report same at faced or mutilated are expected otherwise the last borrower will be held library desk ĭiscovered. 49^9 fc-92 b Kremenliev folk musxc, Bulgarian-Macedonian $5.00īe retained Unless labeled otherwise, books mayīorrowers finding books marked, defor two weeks.